The Go-Between, a 1971 film directed by Joseph L. Mankiewicz, is a captivating adaptation of L.P. Hartley’s novel of the same name. Set in the early 20th century, the film delves into the complexities of human relationships and the devastating impact of betrayal. This article aims to explore the film’s themes, characters, and the timeless lessons it imparts to its audience.
The Go-Between tells the story of a young boy named Leo, played by Terence Stamp, who becomes the go-between for his older cousin, Marian (Joan Plowright), and her lover, Albert (Robert Newton). The film’s title itself is a metaphor for Leo’s role in the affair, as he acts as a messenger between the two adults, ultimately leading to tragic consequences.
One of the most compelling aspects of The Go-Between is its exploration of the complexities of human relationships. The film highlights the power dynamics at play between the characters, particularly the powerlessness of Leo in the face of his older cousin’s desires. Marian, a woman of means and sophistication, is unable to control her own emotions and desires, leading her to manipulate Leo into becoming her pawn in her affair. This manipulation not only highlights the vulnerability of Leo but also serves as a commentary on the societal expectations placed on women during that era.
Albert, on the other hand, is portrayed as a charming and manipulative character who is more interested in using Marian for his own gain than in developing a genuine relationship with her. His actions ultimately lead to the downfall of the trio, as Leo’s role as the go-between becomes increasingly difficult to maintain. The film’s portrayal of Albert as a predator who preys on the weaknesses of others serves as a stark reminder of the dangers of infidelity and the consequences that can arise from it.
Joseph L. Mankiewicz’s direction is masterful, with the film’s cinematography and score adding to its emotional depth. The lush English countryside, as depicted in the film, serves as a backdrop for the unfolding drama, emphasizing the contrast between the beauty of nature and the corruption of human nature. The film’s use of symbolism, such as the butterfly that Leo catches and later loses, serves to underscore the themes of change, transformation, and the fleeting nature of life.
One of the most poignant moments in The Go-Between occurs when Leo realizes the extent of his involvement in the affair and the damage he has caused. This moment of epiphany is beautifully captured by Mankiewicz, as Leo’s emotional turmoil is palpable. The film’s conclusion leaves viewers with a sense of loss and regret, as the characters come to terms with the consequences of their actions.
In conclusion, The Go-Between is a timeless film that delves into the complexities of human relationships, the power dynamics at play, and the consequences of infidelity. Its compelling characters, masterful direction, and poignant storytelling make it a must-watch for any film enthusiast. The film serves as a reminder that the choices we make and the roles we play in other people’s lives can have far-reaching consequences, and that the line between innocence and guilt can sometimes be blurred.